Free Jazz Blog’s 2020 Top 10s

• Horace Tapscott & The Pan Afrikan Peoples Arkestra – Ancestral
  Echoes – The Covina Sessions, 1976 (Dark Tree, 2020)
• Barry Guy – London Jazz Composers Orchestra That Time (Not Two)
• Sam Rivers – Ricochet (No Business)

Tom Burris

Weirdly, I didn’t listen to as much music during the pandemic as I had
predicted. An early onslaught of creativity took hold in March & I
began working on my own music, which was a welcome surprise. So rather
than list “the best” of 2020, what follows is a list of discs I
listened to the most – primarily for solace and escape – in this
horrible, terrible year.

• Jeff Parker & The New Breed – Suite for Max Brown (International
  Anthem / Nonesuch)
  At 53, Parker is better than ever. His greatest & most cohesive
  work to date.

• Susan Alcorn Quintet – Pedernal (Relative Pitch)
  Nothing can quite prepare you for this stunningly rich and gorgeous
  debut of Alcorn’s quintet. Simply jump in and surrender to the
  mountains and the shooting stars.

• Matthew Shipp Trio – The Unidentifiable (ESP-Disk)
  Shipp celebrated his 60th year on the planet by releasing more great
  albums than some artists produce in a lifetime. I haven’t heard half of
  them yet but of the ones I’ve heard, I’ve returned to this one the
  most. Having said that, his double-LP solo record on RogueArt is due
  out any day now.

• Rob Mazurek / Exploding Star Orchestra – Dimensional Stardust
  (International Anthem / Nonesuch)
  Weaving a patchwork of music from a mostly Chicago-based band of
  all-stars, Mazurek composes a major work mashing up free jazz and avant
  classical music that dazzles on the surface & still manages to
  provide as much depth as a listener could possibly desire.

• Quin Kirchner – The Shadows and The Light (Astral Spirits)
  Whoever stuck the young Kirchner in front of a television that aired a
  ton of bad 1970s cop shows deserves some credit for turning him onto an
  unlikely sound source for inspiration. That’s only a small piece of
  this diverse and often brilliant work, but it’s the piece from which I
  have yet to recover.

• Tashi Dorji and Tyler Damon – To Catch A Bird In A Net Of Wind (Trost)
  For those of us who will never tire of free guitar n drums energy, this
  is an absolute monument to all that is good still left in the world.
  May these guys spawn a legion of superheroes worthy of the title.

• McPhee / Rempis / Reid / Lopez / Nilssen-Love – Of Things Beyond Thule
  (Aerophonic)
  An almost impromptu all-star group, the result of a magical night of
  musical creativity was released in two volumes, one on LP and another
  on CD. Both are essential.

• Charles Rumback – June Holiday (Astral Spirits)
  Rumback’s trio with Jim Baker & John Tate again casts the
  criminally underrated Baker in the starring role, providing us with a
  dreamy landscape onto which we could project our collective 2020
  melancholy. Now that’s what I call a public service!

• Threadbare – Silver Dollar (No Business)
  Threadbare, the result of two whippersnapper musician/composers named
  Ben Cruz & Emerson Hunton tapping lauded old-timer bass clarinetist
  Jason Stein on the ear, straddles the line between free jazz and guitar
  rock better than anyone since the Stooges had the L.A. blues. And
  that’s just the title track! And this is their first and only
  recording!

• Joe McPhee & Fred Lonberg-Holm – No Time Left For Sadness (Corbett
  vs Dempsey)
  Containing infinitely deep listening and truly empathetic &
  illuminating responses from both musicians, which are surely the result
  of working together in various combinations for decades, this recording
  stands as one of the finest representations of the duo format I’ve
  heard in quite some time. I’ve craved more ever since viewing that
  streaming outdoor show they did earlier this year – and this disc
  scratches the itch every time.

Troy Dostert

• Eric Revis – Slipknots Through a Looking Glass (Pyroclastic Records)
• Natsuki Tamura, Satoko Fujii, and Ramon Lopez – Mantle (Not Two
  Records)
• Ivo Perelman with Arcado Trio – Deep Resonance (Fundajica Sluchaj)
• Webber/Morris Big Band – Both Are True (Greenleaf Music)
• Gard Nilssen’s Supersonic Orchestra – If You Listen Carefully the Music
  Is Yours (Odin Records)
• James Brandon Lewis Quartet – Molecular (Intakt Records)
• Mary Halvorson’s Code Girl – Artlessly Falling (Firehouse 12)
• Pedro Melo Alves – In Igma (Clean Feed)
• Sylvie Courvoisier Trio – Free Hoops (Intakt Records)
• Rich Halley – The Shape of Things (Pine Eagle Records)

Lee Rice Epstein

1. Mary Halvorson’s Code Girl – Artlessly Falling (Firehouse 12, 2020)
2. Kaja Draksler Octet – Out for Stars (Clean Feed, 2020)
   Hearing Robert Wyatt sing Halvorson’s words over the tangled lushness
   of her Code Girl ensemble was a listening experience only matched by
   Laura Polence and Björk Níelsdóttir’s harmonies offsetting Ab Baars and
   Ada Rave’s rich improvisations on Draksler’s spiritually potent
   settings of Robert Frost poems.

3. Rachel Musson – I Went This Way (577 Records, 2020)
4. Wendy Eisenberg – Auto (Ba Da Bing, 2020)
   Musson and Eisenberg entrusted their hearts to listeners, and these
   albums are sometimes hard to hear, for all the naked sincerity and
   personal exploration. And yet, each of them is a master on their
   instrument of choice, sax and guitar, their songwriting equally
   addictive, and their supporting players as fully devoted to their
   purpose.

5. Webber/Morris Big Band – Both Are True (Greenleaf, 2020)
6. Spike Orchestra – Splintered Stories (Tzadik, 2020)
   Anna Webber, Angela Morris, and Sam Eastmond took tremendous leaps
   forward this year with these big band albums. For Webber and Morris, it
   was the debut heard around the world, and I’ve been pleased to see it
   represented on so many lists. For Eastmond, it was an overdue return to
   his own compositions, full of joy, anger, humor, and swing.

7. Sarah Gail Brand/Paul Rogers/Mark Sanders – Deep Trouble
   (Regardless, 2020)
8. Polyorchard (David Menestres & Jeb Bishop) – Ink (Out and Gone,
   2020)
   
   For a year when the public intimacy of duo and trio improvisation was
   projected, if at all, through cameras and screens, these albums
   exemplified the beauty of that experience IRL. Each small group draws
   from the long years of improvising together, with Brand, Rogers,
   Sanders, Menestres, and Bishop creating some of the most radical and
   forward-thinking freely improvised music this year. Heartbreaking
   reminders of what we’ve nearly lost completely.

9. Anna Högberg Attack – Lena (Omlott, 2020)
10. Sloth Racket – Exabout: Live In Ramsgate (Luminous Label, 2020)
    Högberg and Roberts lead two of the most exciting groups around, and
    these albums, Lena from April and Exabout from November, more or less
    started and ended 2020 with a full-strength blast of fire music.

1. The MacroQuarktet – The Complete Night: Live at the Stone NYC (Out
   of Your Head, 2020)
2. Willem Breuker & Han Bennink – New Acoustic Swing Duo, I.C.P.
   001 (Corbett & Dempsey, 2020)
3. Sonny Rollins – Rollins in Holland (Resonance Records, 2020)

   Each of these reissues transformed legendary sessions, capturing them
   from the depths of dubiously circulated sessions, and presented as
   finely mastered deluxe albums.

Colin Green

Top Ten albums of 2020 (alphabetical order by album title)

• Evan Parker, Barry Guy, Paul Lytton – Concert in Vilnius (NoBusiness,
  2019)
• Larry Ochs / Aram Shelton Quartet – Continental Drift (Clean Feed,
  2020)
• Last Dream of the Morning (John Butcher, John Edwards, Mark Sanders –
  Crucial Anatomy (Trost, 2020)
• Ivo Perelman & Arcado String Trio – Deep Resonance (Fundacja
  Słuchaj!, 2020)
• Ingrid Laubrock – Dreamt Twice, Twice Dreamt (Music for Chamber
  Orchestra and Small Ensemble) (Intakt, 2020)
• Various Artists – Not Two…But Twenty (Not Two, 2020)
• John Edwards – Oslo Solo (22.10.19) (s/r, 2020)
• Matthew Shipp – The Piano Equation (Tao Forms, 2020)
• From Wolves To Whales (Dave Rempis, Nate Wooley, Pascal Niggenkemper,
  Chris Corsano) – Strandwal (Aerophonic, 2019)
• Daniel Carter, Matthew Shipp, William Parker, Gerald Cleaver – Welcome
  Adventure! Flight. 1 (577, 2020)

• Horace Tapscott with the Pan-Afrikan Peoples Arkestra – Ancestral
  Echoes – The Covina Sessions, 1976 (Dark Tree, 2020)
• Bobby Bradford, Frode Gjerstad, Kent Carter, John Stevens – Blue Cat
  (NoBusiness, 2019)
• Modern Jazz Quintet Karlsruhe / Four Men Only — Complete Recordings
  (NoBusiness, 2020)
• Han Bennink & Willem Breuker ‎– New Acoustic Swing Duo (Corbett
  vs. Dempsey, 2019)
• Stephan Keune, John Russell, Hans Schneider, Paul Lovens – Nothing
  Particularly Horrible (Live in Bochum ’93) (FMR, 2019)

Stef Gijssels

• Satoko Fujii & Natsuki Tamura – Pentas: Tribute to Eric and Chris Stern (Not Two, 2020)
  Wonderful piano trumpet duo, composed and improvised, who create their own style of music with superb musicianship and musical vision. They released two more albums as a duo this year.
• Peter Evans – Being & Becoming (More is More, 2020)
  A brilliant virtuosic and complex album, created with a unique musical vision, and performed by a band of stellar musicians.
• Jeremiah Cymerman – Systema Munditotius, Vol.1 (5049 Records, 2020)
  One more musician with a strong voice. This album is a carefully crafted work of art, a deep and emotionally overpowering expression of solitude and loneliness.
• Pak Yan Lau & Darin Gray – Trudge Lightly (By The Bluest Of Seas, 2020)
  Piano and bass as they’re rarely heard together, and they open new possibilities for future exploration. Intense and welcoming.
• Luis Vicente – Mare (Cipsela, 2020)
  A solo trumpet performance of rare emotional depth and quality.
• Magnus Granberg & Skogen ‎– Let Pass My Weary Guiltless Ghost (Another Timbre, 2020)
  A tentet of virtuosi creates the most fragile piece of musical lace.
• Lina Allemano – Glimmer Glammer – Solo Trumpet (Lumo Records, 2020)
  A rich solo trumpet performance, leading us through various moods from playfulness to sadness, expressed through deep understanding and exploration of her instrument.
• Susana Santos Silva, Zetterberg & Lindwall – Hi! Who Are You? (Matière Mémoire, 2019)
  An unusual ensemble of trumpet, bass and church organ, that creates a strange sonic world, that is at once brutal, haunting, reverent and riveting.
• Hwyl Nofio – Isolate (Self, 2020)
  A Welsh quartet creates music that is unique in its sound: expressive, disciplined and balance, dark and welcoming at the same time.
• From Wolves To Whales – Strandwal (Aerophonic, 2019) & Dead Leaves Drop (Dropa, 2019)
  I called both albums “Free jazz at its best”, with an all-star quartet consisting of Dave Rempis on sax, Nate Wooley on trumpet, Pascal Niggenkemper on bass and Chris Corsano on drums.

Stephen Griffith

• Big Bad Brötzmann Quintet – Karacho! (Euphonium)
• Kuzu – Purple Dark Opal (Aerophonic)
• Evan Parker & Paul Lytton – Collective Calls (Revisited) (Jubilee)
  (Intakt)
• Gard Nilssen’s Supersonic Orchestra – If You Listen Carefully The Music
  Is Yours (Odin)
• Rich Halley, Matthew Shipp, Michael Bisio & Newman Taylor Baker –
  The Shape of Things (Pine Eagle)
• Various – Not Two…But Twenty (Not Two)
• Spike Orchestra – Splintered Stories (Tzadik)
• Alexander Hawkins & Tomeka Reid – Shards and Constellations
  (Intakt)
• Evan Parker & Matthew Wright Trance Map – Crepuscule in Nickelsdorf
  (Intakt)
• Cecil Taylor & Tony Oxley – Birdland, Neuberg 2011 (Fundacja
  Sluchaj)

• Han Bennink & Willem Breuker – New Acoustic Swing Duo (Corbett vs
  Dempsey)
• Axel Dörner & Agustí Fernández – Palynology (Sirulita Records)

Eyal Hareuveni

• Anna Högberg’s Attack – Lena (Omlott)
  Mats Gustafsson promised that this band will “melt your brain as we
  know it”. Mine was already melted with Attack’s debut album from 2016.

• Nate Wooley – Seven Storey Mountain VI (Pyroclastic)
  Magnificient, ambitious and most important, compassionate work that
  calls for social justice.

• Susan Alcorn Quintet – Pedernal (Relative Pitch)
  There are very few musicians with such fantastic musical horizons and
  imagination as Alcorn.

• Jürg Frey – l’air, l’instant – deux pianos (elsewhere)
  A fascinating realization of the Swiss composer’s Architecture of
  Silence compositional approach.

• Vilde & Inga – How Forests Think (Sofa)
  Immersive listening experience, recorded by the duo in four different
  locations around Oslo.

• Polwechsel / Klaus Lang – Unseen (ezz-thetics)
  The experimental quartet and Austrian composer-organist explore
  ambiguous layers of acoustic and electronic sounds.

• Hermione Johnson – Tremble (Relative Pitch)
  Would love to hear more from this singular pianist-composer. I think
  you should too.

• Kaze & Ikue Mori – Sand Storm (Circum Disc/Libra)
  Mori is a perfect match for the fearless, forward-thinking Kaze.

• Ernstalbrecht Stiebler – Für Biliana (Another Timbre)
  Violinist Biliana Voutchkova presents the music of the German
  minimalist composer.

• Tania Giannouli Trio – In Fading Light (Rattle)
  Most beautiful music for piano-oud-trumpet trio by the Greek pianist.

• Sun Ra Arkestra – Egypt 1971 (Strut/Art Yard)
  3 rare albums + tons of live material of the Arkestra from its trip to
  Egypt.

• Horace Tapscott with the Pan Afrikan Peoples Arkestra – Ancestral
  Echoes – The Covina Sessions, 1976 (Dark Tree)
  A second excellent album of Tapscott and the Arkestra by a label named
  after one of his compositions.

• The Thing & Joe McPhee – She Knows… (ezz-thetics)
  Did you know that the original name of the now-defunct trio was Trans
  Love Airways?. The only trio that can match Don Cherry, P.J. Harvey and
  the great McPhee. I still cherish my original copy of this album.

Nick Metzger

Another great year for recorded music, if there is an upside to it.
There have been lots of great online shows and festivals, but it’s not
been the same. I’m looking forward to the day that we’re all able to
share music out in the wild again, whenever and wherever that might be.
Here’s my Top 10 sorted by release date:

• Zlatko Kaučič/Tomaž Grom – Τhe Ear is the Shadow of the Eye (Sploh,
  2019)
  My one carryover from December 2019. A tremendously inventive and
  consistently interesting album that I keep returning to.

• Steve Beresford & John Butcher – Old Paradise Airs (Iluso Records,
  2020)
  A couple of masters getting weird with it, that’s all one can really
  ask for. Complimentary tangles of sound that evolve/resolve in
  unexpected ways.

• Evan Parker & Paul Lytton – Collective Calls (Revisited) (Jubilee)
  (Intakt, 2020)
  Telepathic improvisations for the golden jubilee of one of the great
  duos in free music history. Essential listening.

• Kaja Draksler Octet – Out for Stars (Clean Feed, 2020)
  This is an extraordinarily touching album that brought me a great deal
  of comfort this year. Draksler’s Octet composes a far-away meadow for
  Robert Frost’s flowers.

• Kang Tae Hwan, Kang Hae Jin – Circle Point (Dancing Butterfly Records,
  2020)
  A completely unexpected release that still blows me away with it’s
  confident power and expressiveness. Incredibly good, a must listen.

• Various ‎– Not Two…But Twenty (Not Two, 2020)
  An entire festival’s worth of material featuring combinations of
  Brötzmann, Fernandez, Gustafsson, Guy, Holmlander, Homburger, Kaučič,
  Leandre, Mazur, Nilssen-Love, Swell, Trzaska, and Vandermark in honor
  of Not Two’s Twentieth year. Tremendous.

• Anna Högberg Attack – Lena (Omlott, 2020)
  We were all highly anticipating this release and Högberg delivers in a
  big, big way. This is her best album thus far and easily made the list.
  If you haven’t heard it yet, you must.

• Reiner van Houdt – Pieces for AMPLIFY 2020
  The Dutch composer/pianist’s contributions masterfully capture the
  unprecedented moods and feelings of early quarantine. Musical journals
  from a very strange time. It will be interesting to see what emotions
  these conjure during better days. Incredible work.

• James Brandon Lewis Quartet – Molecular (Intakt, 2020)
  A wonderful album of compositions by one of the most intriguing
  saxophone players in jazz. His Willisau release with Chad Taylor (also
  on Intakt) is equally amazing, but the songcraft here begs inclusion.
  Sophisticated and snappy while remaining expressive and soulful.

• Nate Wooley – Seven Storey Mountain VI (Pyroclastic, 2020)
  This is the best album yet from Nate Wooley. A forceful condemnation of
  violence against women performed by an extraordinary ensemble of
  musicians. Innovative and powerful.

• Horace Tapscott with the Pan Afrikan Peoples Arkestra – Ancestral
  Echoes, The Covina Sessions, 1976 (Dark Tree, 2020)
  A phenomenal archival release from a too-oft overlooked pianist and
  composer. Of the Ark, Stuart says it best in his review “That lack of
  celebrity sidemen testifies only to the degree to which jazz is, in
  some dimensions, an almost anonymous art, a creative force outside
  celebrity that is, at many of its higher harmonics, a transformative,
  extra-personal force, an archetypal expression.”

• John Coltrane Quartet – My Favorite Things, Graz 1962 (ezz-thetics,
  2020)
  Pair with 2019’s Impressions, Graz 1962 for the full set. No matter if
  you take issue with the resequencing or not, these are the best
  sounding versions available of this defining concert from the classic
  quartet’s 62′ European Tour.

• Modern Jazz Quintet Karlsruhe / Four Men Only – Complete Recordings
  (NoBusiness Records, 2020)
  NoBusiness delivers again with a wonderful collection from this obscure
  German group. A wonderful package altogether and a great addition to
  our music collections.

• Thelonious Monk – Palo Alto (Impulse, 2020)
  Enough has been said about this one since it’s release in September so
  I’ll keep this lean for those that somehow missed all the fuss. This is
  Monk’s Quartet playing a concert for racial unity at Palo Alto High
  School in 1968 at the invitation of a 16 year old student (reportedly
  recorded by the janitor), and it still sizzles after 52 years on ice.
  Buried treasure of the highest order.

• Bergisch-Brandenburgishes Quartett & Fred Frith – Free
  Postmodernism / USA 1982 (SÅJ, 2020)     
  The BBQ (Rüdiger Carl, Hans Reichel, Ernst-Ludwig Petrowsky, &
  Sven-Åke Johansson) captured in their prime with Fred Frith joining in
  on the back half of the set. An incredible release from the scarcely
  documented German supergroup.

Gregg Miller

• Whit Dickey – Morph (Esp-Disk)
• Matthew Shipp – The Piano Equation (Tao Forms)
• John Butcher, Thomas Lehn, Matthew Shipp – The Clawed Stone
  (RogueArt)
• Ingrid Laubrock with EOS Chamber Orchestra and Small Ensemble – Dreamt Twice, Twice Dreamt (Intakt Records)
• Lori Goldston – On a Moonlit Hill in Slovenia (Eiderdown Records)
• Bernard Santacruz & Michael Zerang – Cardinal Point (Fundacja
  Słuchaj)
• Whit Dickey Trio – Expanding Light (Tao Forms)
• Various – Not Two, But Twenty (Not Two Records)
• Darragh Morgan and John Tilbury – For John Cage (Diatribe Records)
• Okuden Quartet – Every Dog Has Its Day But It Doesn’t Matter Because
  Fat Cat is Getting Fatter (Esp-Disk)

• Jack Wright and Michael Taylor – Kryptischgassa (Right Brain Records)

Fotis Nikolakopoulos

As the vinyl market becomes bigger by the day and a lot of people are
profiting from this, even in dystopian 2020, we have to be really
careful on where we spend our money. A lot of the “new” musics is not
so new, but, mostly packaged and presented like it is. Beware, consume
less and listen more.

In no particular order, apart from one: I chose duos and small
groupings, as they seemed -during pandemic times- more appropriate and
realistic

• Talibam! With Silke Eberhard And Nikolaus Neuser – This Week Is in Two
  Weeks (ESP Disk)
• The No-Neck Blues Band – Gitanjali + The Nascent Stigma (Ri Be Xibalba)
• Costis Drygianakis – The Approach (Hxoi Kato Apo to Spiti)
• Bertrand Denzler/Antonin Gerbal – Sbatax (Umlaut)
• Tashi Dorji & Tyler Damon – To Catch A Bird In A Net Of Wind (Trost)
• Whit Dickey Trio – Expanding Light (Tao Forms)
• Tim Berne/Nasheet Waits ‎– The Coandă Effect (Relative Pitch)
• Irreversible Entanglements – Who Sent You? (International Anthem)
• Graham Dunning / Colin Webster ‎– Terrain (Raw Tonk)
• Gerrit Hatcher/Jakob Warmenbol – Sublime Again (No Index)

• Akio Suzuki ‎– Zeitstudie
  
• New Direction Unit ‎– Axis/Another Revolvable Thing 1+2 (Blank Forms)
• Rashied Ali / Frank Lowe – Duo Exchange: Complete Sessions  (Survival Records)
• Company – 1983 (Honest Johns)

Nick Ostrum

Here are some of the releases from 2020 that stuck out the most to me
listed in no particular order.

• Anthony Braxton/Eugene Chadbourne – Duo Improv (2017) (2020)
  Just finally got a copy of this one. Had high expectations and it still
  blew me away.

• Anna Höstman and Cheryll Duvall –
  
  Harbour
  
  (Redshift Records, 2020)
  A sleeper hit from the beginning of the year. Slow, spacious, and
  beautiful.

• Gordon Grdina’s The Marrow –
  
  Safar-e-Daroon
  
  (Songlines, 2020)
  Infectious Middle Eastern-rooted music. Entrancing.

• Susan Alcorn Quintet –
  
  Pedernal (Relative Pitch, 2020)
  Susan Alcorn has really crescendoed over the last couple of years.
  Still, this seems a new high for her. Love the Americana, love the
  freer excursions.

• Kaja Draksler Octet –
  
  Out for Stars (Cleanfeed, 2020)
  Stunning examination of the avantgarde potentialities of Robert Frost’s
  meticulous and rather conservative approach to poetry. An inspired
  marriage of two poles of art.

• Roscoe Mitchell With Ostravaska Banda – Distant Radio Transmission
  (Wide Hive, 2020)
  I thought I had heard more than enough renditions of Nonaah to satisfy
  the most fervid Mitchell devotee. Apparently, I was wrong. This
  version, and really this album, opened Mitchell’s compositions to me in
  new ways.

• PEK – Solo, An Orchestra of PEKs: Some Truths are Known (Evil Clown,
  2020)
  Over three hours of one man with 100+ instruments at his disposal,
  recording himself over and over and plumbing the pipes of the musical
  cosmos. (NB: This makes an especially interesting
  companion/counterpoint to the similarly collaged but much less
  “musical”
  
  The French Drop and This and the Other Place
  
  by Lance Austin Olsen, which also deserve at least honorable mentions.)

• Jeremiah Cymerman –
  
  Systema Munditotius, Vol. 1
  
  (5049 Records, 2020)
  Similar to the PEK release in that it is a solo effort of layered and
  augmented recordings. It is, however, much darker, more forbidding, and
  more intimate.

• Merzbow, Mats Gustafsson, Balasz Pandi –
  
  Cuts Open
  
  (RareNoiseRecords , 2020)
  The latest installment of the Cuts series. This one maintains the
  ear-bleed aggression of the previous releases, but also opens spaces
  for more “musical” elements. A pleasant (?) surprise.

• Ernstalbrecht Stiebler –
  
  Für
  
  
  Biliana
  
  (Another Timber, 2020)
  What a wonderful release. Spacious, deep, incremental, and solitary.

• The MacroQuarktet –
  
  The Complete Night: Live at the Stone NYC (2020)
  A document that captures an era.

• The New York Contemporary Five – Consequences Revisited (ezz-thetics,
  2020)
  Brings me back to what attracted me to free jazz and improvisational
  music in the first place.

• Charlie Parker – Savoy Recordings (ezz-thetics, 2020)
  An impeccable remastering of an absolute classic.

• Willem Breuker/Han Bennink –
  
  New Acoustic Swing
  
  (Corbett vs Dempsey, 2020)
  Another one that captures the playfulness and excitement of a very
  specific time and place. One of my favorite releases, new or old, of
  the year.

Antonio Poscic

1. Ingrid Laubrock – Dreamt Twice, Twice Dreamt (Intakt)
2. J. Pavone String Ensemble – Lost and Found (Astral Spirits)
3. Angel Bat Dawid & Tha Brothahood – LIVE (International Anthem)
4. Susana Santos Silva Impermanence – The Ocean Inside a Stone (Carimbo
   Porta-Jazz)
5. Nate Wooley – Seven Storey Mountain VI (Pyroclastic)
6. Irreversible Entanglements – Who Sent You? (International Anthem)
7. Dan Weiss Starebaby – Natural Selection (Pi)
8. Matthew Shipp Trio – The Unidentifiable (ESP-Disk)
9. Webber/Morris Big Band – Both Are True (Greenleaf Music)
10. Quin Kirchner – The Shadows and the Light (Astral Spirits)

1. Muhal Richard Abrams – Celestial Birds (Karlrecords)
2. Pharoah Sanders – Live in Paris 1975 (Transversales)
3. Joe McPhee – Black Is the Color (Corbett vs Dempsey)
4. Sun Ra – Egypt 1971 (Strut/Art Yard)
5. Rashied Ali & Frank Lowe – Duo Exchange: Complete Sessions (Survival Records)

Keith Prosk

Beyond these nice and neat recordings, I would like to recognize the
experience of AMPLIFY 2020: quarantine, through which I’m still
wandering, happy as a clam.

• Kang Tae Hwan, Kang Hae Jin – Circle Point (Dancing Butterfly)
  The saxophone master returns after a long recording hiatus, his tone
  and overtones still rich, his soulful outflow still snaking to
  ascendant spiral curves, finding a fine foil in the authoritative
  Jenkinsesque violin of Kang Hae Jin.

• John McCowen – Live @ ISSUE Project Room (DAAANG)
  Solo Contra rended live and exhibiting the guts of contrabass clarinet
  sound, known better than none other than McCowen at this point.

• Judith Hamann – Music for Cello and Humming (Blank Forms)
  Just one part of Hamann’s awesome work released this year, but vital in
  its investigation into the many resonant frequencies of the cello and
  the human voice, among other waveforms.

• Sergio Merce – en lugar de pensar (Edition Wandelweiser)
  In circles, sines, and cycles, microtonal saxophonist Merce examines
  the intuitive unconscious in musicmaking.

• Ellen Fullman & Theresa Wong – Harbors (Room40)
  With Wong’s cello, Fullman and her Long String Instrument find the most
  compelling companion to their rainbow of harmonics since the Deep
  Listening Band.

• J. Pavone String Ensemble – Lost and Found (Astral Spirits)
  Two string duos survey counterpoint and the spectrums of false dualisms
  and Pavone continues to scale new peaks in composition with this
  ensemble.

• Sarah Hennies – Spectral Malsconcities (New World Records)
  What happens when something should falter or break, but does not?
  Hennies finds fresh methods to explore failure in two pieces that are
  not just conceptually gripping, but musically so too (performed by
  Bearthoven and Bent Duo).

• Macie Stewart & Lia Kohl – Recipe For a Boiled Egg (Astral
  Spirits)
  The strings of the violin and cello and the cords of Stewart and Kohl
  harmonize, playfully, raucously, magically.

• Joanna Mattrey – Veiled (Relative Pitch)
  Mattrey shreds the viola and folk melodies and mournful tunes fall out
  of the multiphonic maelstrom like gifts from a paper surprise ball.

• Angharad Davies | Klaus Lang | Anton Lukoszevieze – unfurling
  (Another Timbre)
  The gasping pump and warm throb of the harmonium swirled with rich
  strings. Simply enchanting.

• Charles Curtis – Performances & Recordings 1998-2018 (Saltern)
  A compendium of one of the finest cellists around and their
  relationship with sound. Perhaps “too classical” for the blog, but
  Curtis’ interpretations of Messiaen, Feldman, and Radigue, among others
  – music that still informs various spheres of improvisers – and
  practice as composer/performer should appeal to listeners here.

Martin Schray

• Nate Wooley – Seven Storey Mountain VI (Pyroclastic Records)
• Bohren & Der Club of Gore – Patchouli Blue (PIAS)
• Cecil Taylor / Tony Oxley – Birdland, Neuburg 2011 (Fundacja Słuchają!)
• Anna Högberg Attack – Lena (Omlott)
• Irreversible Entanglements – Who Sent You? (International Anthem)
• Various – Not Two…But Twenty (NotTwo)
• ROPE – Open Ends (Trouble in the East Records)
• Gard Nilssen’s Supersonic Orchestra – If You Listen Carefully The Music
  Is Yours
  
• Makaya McCraven – Universal Beings E&F Sides (International Anthem)
• Xenofox – Macondo (Farai Records)

• Modern Jazz Quintet Karlsruhe / Four Men Only: Complete Recordings (No
  Business) 
• Rashied Ali / Frank Lowe – Duo Exchange: Complete Sessions
  (Survival Records)

Sammy Stein

1. Sothiac feat Paul Jolly – Superluna ( Sotrhiac/33Jazz)
2. Ivo Perelman/Gordon Grdina – The Purity of Desire (Not Two)
3. The End – Allt Ir Intet (Rare Noise)
4. Will Glaser and James Allsop – New River Ramble (self released)
5. Elliot Galvin and Binker Golding – Ex Nihillo (Byrd Out)
6. Ensemble C – Small World (self released)
7. Dinosaur – To The Earth (Edition)
8. Erodoto Project – Mythos- Metamorphosis (Cultural Bridge)
9. Tony Kofi – Another Kind Of Soul (Last Music Company)
10. With N Monk  – Witch ‘N Mo (Tzadik)