Category: Recordings

Mars Williams Presents – An Ayler Xmas (s/r, 2017) ****

I don’t know what you all think, but it seems to me that a free jazz (of the fiery variety) holiday album is right on cue. I’m not in the mood for sweet, gentle, or traditional this year, there is just too much going on that is not sweet, gentle, or traditional, but I’m also not quite ready to forgo holiday cheer entirely. So, why not add a pri…

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David Douglas & the Westerlies – Little Giant Still Life (Greenleaf Music, 2017) ****

Everyone knows Dave Douglas, right? The prolific trumpeter was a member of the original Masada in the early 1990s and has amassed an astounding and diverse discography over the years. One of his latest is the brass heavy Little Giant Still Life. His partners on the recording are the The Westerlies, whom we last encountered when they were play…

Continue Reading David Douglas & the Westerlies – Little Giant Still Life (Greenleaf Music, 2017) ****

Lisa Mezzacappa – Glorious Ravage (New World Records, 2017) ****

Glorious Ravage is an ambitious multi-faceted undertaking by Bay Area bassist and composer Lisa Mezzacappa. The work is organized around women, who late 19th and early 20th century, transcended the stereotypical roles of the era and pursued their passions in science, travel, and more. On the recording, Mezzacappa works with a frighteningly t…

Continue Reading Lisa Mezzacappa – Glorious Ravage (New World Records, 2017) ****

Paula Shocron / Germán Lamonega / Pablo Diaz – Tensegridad (Hatology, 2017) ****½

I suppose it’s a bit of a conflict of interest to write this review since I also wrote the liner notes; however, since I’ve decided to barrel ahead anyway, I am going to further transgress and paraphrase liberally from the notes I wrote for the album. When I started on them, I took the opportunity to do Q&A’s with the SLD trio’s pia…

Continue Reading Paula Shocron / Germán Lamonega / Pablo Diaz – Tensegridad (Hatology, 2017) ****½

Chet Doxas – Rich in Symbols (Ropeadope, 2017) ****

Chet Doxas’ Rich in Symbols has just been placed into my guilty pleasures playlist – but it’s not one to feel guilty about at all, it’s just so rich and flavorful that there is no way it can be good for me.

Brooklyn based Doxas works often with trumpeter David Douglas (who has a guest turn) and plays saxophone and synthesizer – the latter …

Continue Reading Chet Doxas – Rich in Symbols (Ropeadope, 2017) ****

Tomas Fujiwara – Triple Double (Firehouse 12 Records, 2017) ****½

I’ve long been a fan of drummer Tomas Fujiwara’s compositions, enjoying his music’s melodic tendencies and avant-garde leanings, on top of understated grooves.Triple Doublehas all of that and in multiples: two drummers (Fujiwara and Gerald Cleaver), two brass (Ralph Alessi on trumpet and Taylor Ho Bynum on cornet), and two guitarists (Mary Ha…

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Fred Van Hove & Roger Turner – The Corner (Relative Pitch, 2017) *****

Projected on the wall of the gallery at the Haus Der Kunst in Munich for the FMP exhibition was an electric 1974 performance of a brawny young Peter Brotzmann on sax, a mischievous Hans Bennink on drums, and an intense Fred Van Hove on piano. This for some reason came to mind as I was listening to this incredible duo recording from a concer…

Continue Reading Fred Van Hove & Roger Turner – The Corner (Relative Pitch, 2017) *****

The Continuing Adventures of Damon Smith

John Butcher, Damon Smith, Weasel Walter – Catastrophe of Minimalism (Balance Point Acoustics, 2017) ****½

Bassist Damon Smith writes in the notes for this release, which was taped live in Oakland, California in 2008, that he likes to let recordings age: “You are very sure about the music when you live with it for a few years before putting…

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Joe McPhee / Damon Smith / Alvin Fielder – Six Situations (Not Two, 2017) *****

The 19 minutes of the first track off Six Situations, ‘The Diagonal of Personal Ecstasy’, is a journey through the joys of improvised music making. The core duo of bassist Damon Smith, and drummer Alvin Fielder, first played together in 2010 and their collaborative spirit remains strong through today, as evidenced by their recent duo releas…

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Kyle Bruckmann’s Degradient – Dear Everyone (Not Two, 2017) ****

A little while back, I wrote about a recording by the East Coast pianist and poet Eliot Cardinaux, whose surreal poetry mixed intriguingly with his adventurous music. Well, here is a West Coast response – Kyle Bruckmann’s Degradient Dear Everyone. Prose is spliced into and throughout composer, educator and woodwindist Bruckmann’s wide rangin…

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Kate Gentile – Mannequins (Skirl, 2017) ****

A problem that I often feel I am running into when writing reviews is my flogging of a dead metaphor and over use of certain words like “texture” or “interplay”. So recently, in a ham-fisted attempt to expand my lexicon, I asked a musician how would you describe the compositions of drummer Kate Gentile … without a pause the answer…

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Shelter – Shelter (Audiographic, 2017) ****½

Shelter, a new project from saxophonist Ken Vandermark, starts out on somewhat familiar ground – Nate Wooley’s trumpet and Vandermark’s sax hurtling a melody with an uptempo urgency. It all seems quite normal until they smack into the rhythm section, and the momentum is suddenly yanked in a different direction. An akimbo pulse takes precedence,…

Continue Reading Shelter – Shelter (Audiographic, 2017) ****½