Tag: Free Jazz Blog
This is the last installment of the AACM retrospective- a highly subjective, entirely personal, and completely non-representative list of albums plucked from our own collections to represent what the recordings of the AACM and it’s musicians have meant to us as enthusiasts of the music. Today, the years between 2005 to 2015.
Note: a big thank y…
TheAACM retrospective weekcontinues today with our highly subjective, entirely personal, and completely non-representative list of albums plucked from our own collections to represent what the recordings of the AACM and it’s musicians have meant to us as enthusiasts of the music. Today, we present the years between 1995 and 2004.
ByColin Green,Mart…
The AACM retrospective week continues with our highly subjective, entirely personal, and completely non-representative list of albums plucked from our own collections to represent what the recordings of the AACM and it’s musicians have meant to us as enthusiasts of the music. Today, the years between 1985 and 1994.
By Colin Green, Martin Schray, M…
The AACMretrospective week continues today with our highly subjective, entirely personal, and completely non-representative list of albums plucked from our own collections to represent what the recordings of the AACM and it’s musicians have meant to us as enthusiasts of the music. Today, the years between 1975 and 1984.
By Colin Green, Martin Schr…
The AACM retrospective week begins with our highly subjective, entirely personal, and completely non-representative list of albums plucked from our own collections to represent what the recordings of the AACM and it’s musicians have meant to us as enthusiasts of the music. Today, the years between 1965 – 1974.
By Colin Green, Martin Schray, Matthe…
GuitaristHan-Earl Park’s Anomic Aphasia features two different trios, revolving around the duo of the himself and saxophonist Catherine Sikora. One configuration features the work of guitarist Nick Didkovsky, a distinctly different guitarist than Park, and the other the deep register woodwinds of Josh Sinton.
The album clocks in at a generous …
Today begins a long weekend of guitar related posts starting with a great set of solo recordings that range from the acoustic to the very electric.
Susan Alcorn – Soledad (Relative Pitch, 2015) ****
ByPaul Acquaro
The adjective that repeatedly comes to mind is ‘otherworldly’. Baltimore’s Susan Alcorn has a concept and approach to the pedal …
What draws me to clarinetist Ben Goldberg’s music – whether it’s his interpretations of Thelonious Monk, the rock oriented Unfold Ordinary Mindor other works – is his bending of the familiar, and how simple musical statements will intertwine and build into dramatic structures. The aforementioned work of Monk works well just by its nature, as do…
Guitarist Ava Mendoza has been toying with the phrase ‘Unnatural Ways’for a while now. Her 2012 duo release with percussionist Nick Tamburro was titled Quit Your Unnatural Ways, andher current working trio with bassist Tim Dahl and drummer Max Jaffe is called Unnatural Ways. On this album,Unnatural Ways, Mendozais accompanied by her previous Un…
A few weeks back when writing about a group from Hamburg, Germany called Piho Hupo, I confessed that I knew little of the free jazz scene in that lovely city. Well, the picture is filling in just a little bit more with Birgit Ulher (left channel) and Leonel Kaplan’s (right channel) aptly titled recording Stereo Trumpet.
Ulher is from Hambu…
A round up of some intriguing solo recordings that have come to our attention in recent months.
Vinny Golia – Solo (GoldLion Arts, 2015) ****
Get it whileyou can! This treat of a tape release from Gold Lion Arts is a scant run of 75 copies. Featuring the always excellent Vinny Golia on singing bowls and various woodwinds, Solo is 30 i…
Piho Hupo, is a quartet based in Hamburg, Germany – a beautiful city, that as far as I know, isn’t as known for avant-garde jazz as it is for the lovely Außenalster, the lively Reeperbahn, a renowned opera house, the early Beatles, and the sprawling Elbjazz festival. But, that’s as far as I knew, until bassist John Hughes informed me about a s…
